Deborah Williams

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Represented by Australian Galleries Melbourne & Sydney; Colville Gallery, Hobart.

 

EDUCATION

2006 – 2011            MFA Research Printmaking, National Art School, Sydney

2006                        Certificate IV in Training and Assessment

1994                         Bachelor of Arts (Honors) Fine Art RMIT

1991                          Diploma of Education, University of Melbourne –Hawthorn Institute

1987-1989              Bachelor of Arts (Printmaking) Victoria College, Prahran

 

SELECTED EMPLOYMENT

2012                         Printmaking Coordinator, 2nd Year Coordinator & Teacher, Visual Arts TAFE, RMIT University

2012                          Sessional Lecturer Studio Studies Printmaking Victorian College of the Arts

2007- ongoing       Teacher, & Printmaking Coordinator, Visual Arts TAFE, RMIT University

2001-2009              Sessional Visual Media Lecturer, School of Creative Arts, The University of Melbourne.

2001-2009              Technical Officer Visual Media –  2Dimensional Studio, School of Creative Arts. The University of                                                Melbourne

1998-2000              Sessional Printmaking Lecturer, Victorian College of the Arts, School of  Studies in  Creative Arts

2000, 1999, 96       Technician, Australian Print Workshop, Fitzroy, Vic

1995- 2000              Technical Officer, Victorian College of the Arts areas including Sculpture/Ceramics,                                                                             Drawing/Painting/Printmaking & Photography.

SOLO EXHIBITIONS

2012                        Of its own, The Art Vault, Mildura Victoria

2011                         Recent work, Colville Street Art Gallery, Hobart, TAS

2009                        Significant Others: Reflecting on a Relationship. . Australian Galleries, Sydney

2008                        New works Melbourne Art Fair representing Australian Galleries, Exhibition Buildings

2007                        If you can’t bite, don’t show your teeth. Colville Street Gallery, Hobart.

                                  Unmarked Territory Impressions on Paper, Canberra.

                                  If you can’t bite, don’t show your teeth. Australian Galleries, Sydney

2006                        If you can’t bite, don’t show your teeth. Australian Galleries Works on Paper, Melbourne

2005                        Unleashed, Doggett St Studio Gallery, Brisbane                       

2004                        Yesterday I was a dog. Today I am a dog. Tomorrow I’ll probably still be a dog. Australian Galleries                                                           Works on Paper, Sydney

                                  recent works, Australian Galleries Works on Paper, Melbourne

2002                        recent works, Red Gallery, Vic

2000                        Drag Racing, Firestation Print Studio Inc., Vic

1999                         Penthouse Pets  West Space, Footscray, Vic

                                  Down Faced Dog cityartpublicspace, Transport Shelters, Vic

1993                         Dog Day Afternoon,  Australian Print Workshop Access Studio, Fitzroy, Vic

 

SELECTED GROUP EXHIBITIONS

2012

Familiar Unfamiliar, Tweed River Art Gallery, NSW

6th International Printmaking Biennial, Douro Portugal.

Freak of Nature, University of Colorado, USA

2011

Nature of the Mark, Australian Galleries, Melbourne

Burnie Print Prize, Burnie Regional Gallery, Tasmania

National Art School Postgraduate Show 2011,  NAS Sydney

Happily Ever After – alternative destinies in contemporary feminine narrative, John Paynter Gallery,                                  Newcastle NSW; Manly Library, Sydney; Artspace Mackay, QLD.

Fair & Square, Joyes Hall, Charles Sturt University, Wagga Wagga

 Artists Ink: printmaking from the Warmambool art collection 1970 – 2001, Bundoora Homestead Art                                    Centre, Melbourne

Rick Amor Print Prize, Montsalvat, VIC

Contemporary & Collectable Australian Printmakers, Metropolis Gallery, Geelong,VIC

Biting Issuess, Cascade Print Workshop, Maldon, VIC

2010                       

Swan Hill Regional Gallery, Victoria:

New Prints 2010 / Spring, International Print Center New York (IPCNY),USA:

52, Geelong Gallery, VIC:

 Artists’ Prints Made with Integrity, Australian Galleries, Melbourne

2009

C P M National Print Award, Tweed RiverArtGallery,Murwillumbah.South, NSW,

Wish you were here, Tweed Regional Gallery Murwillumbah, NSW

Mono Uno, Wagga Art Gallery, NSW

2008

Pressing Matters, Jenny Port Gallery, Richmond, VIC

The Mars Project, Project Space, RMIT University

Who let the dogs out, Lake Macquarie City Art Gallery, NSW & Hazelhurst Regional Gallery and Arts                                 Centre

2007

Artists’ Ink, Warrnambool Art Gallery, VIC

Sci-Fi 2007, Stephen McLaughlan Gallery, VIC curated by Stephen Wickham

By the Light of the Moon, Impressions on Paper, Canberra

2006

Beasties, Port Jackson Press, Melbourne

 Art Bound, Baillieu Library, University of Melbourne

so cold it was a 2 dog night, Colville St Art Gallery, TAS

2005

beastiary curated by Stephen Wickham. Stephen McLaughlin Gallery VIC

Jacque Cadry Memorial Art Prize, (finalist), Fox Studios and State Library of NSW

We are all animals, La Trobe University Visual Arts Gallery, Bendigo, Vic

2004

Species, Australian Galleries, Works on Paper, Melbourne

23,. Port Jackson Press, VIC, Phyliss Palmer Gallery, La Trobe  University, VIC

 In the presence of All Creatures Great and Small Australian Galleries Sydney

Pelt RMIT Project Space, VIC

The Grant Gallery, Sanur, Bali, INDONESIA

2003                    

Sex and Death. Stephen McLaughlan Gallery, VIC

MPRG, WORKS ON PAPER, VIC

International Print & Drawing Award, Silpakorn University, Thailand

2002                    

Melbourne Summer, Urban Art Tram Shelters

Majority Rules! (Part one),  Free Gallery, Glasgow, Scotland.

Silk Cut Award for Linocut Prints, Glen Eira Arts Centre, VIC

2001                    

New Q  2001, Counihan Gallery, Vic

ALL THE RAGE, Keith Murdoch Gallery, State Library of Victoria

Something for the Ladies……, Penthouse & Pavement Art Space, VIC

2000

New Q 2000, Linden Art Gallery, Vic

Proof Positive, Gold Treasury Museum, Vic

Play Thing, Span Galleries, Vic

The Korea Australia  Exchange Exhibition.  RMIT Gallery, Storey Hall.

menagerie@treasury. Gold Treasury Museum, Vic.

1999

Play Thing, Craft Victoria

Rene Ellen Jones Memorial Print Award Warrnambool Art Gallery

AGITATE! a celebration of street art Platform 2, Vic

1998

Decalog- A Catalogue of 10 Yrs of Aust Printmaking Met Museum of Seoul,Korea.

The Cask, An Aussie Icon, Access Gallery, National Gallery of Victoria, Melbourne, Vic

 Shell Fremantle Print Award, Fremantle Art Centre, WA

1997

International Print Exhibition,  Portland Museum, Oregon, USA

The Embellished Egg, Mornington Peninsula Regional Gallery, Vic

Australian Printmedia Awards, UWS Macarthur, NSW

1996

21st Annual Shell Fremantle Print Award, Fremantle Arts Centre, WA

 Mornington Peninsula Regional Gallery 12th Biennial Prints Acquisitive Exhibition,

1994

“Watch This Space”, Platform Exhibition Space, Spencer Street, Melbourne, Vic

International Triennial of Graphic Art Bitola, Republic of Macedonia

 Eureka Group Show, Engramme, Quebec

 

CURATORIAL PROJECTS

2011                        Curator Nature of the Mark, Australian Galleries, Melbourne

2008                       CuratorVisible Word, artist’s response to the theme of text and/as image as part of the 2007/08                                                   Printmaking Summer Residency. Project Space RMIT University.

 

ACQUISITIONS / COMMISSIONS / PRIZES / RESIDENCY

2011/2012              RMIT Summer Printmakers Residency, VIC

2010                        Winner Swan Hill Aquisitive Print Award

2002                        Acquired, 2002 Silk Cut Award

2000                        Highly Commended, New Q 2000.

1999                         Acquired, Rene Ellen Print Award,  Warrnambool Art Gallery

1997                         Acquired, International Print Exhibition, Portland Museum, Oregon, USA

2003, 1996             Acquired, Mornington Peninsular Regional Gallery Works on paper MPRG, Vic

1994                         Print Council of Australia, Member Print Commission

1988                        Highly Commended, Powell Street Gallery Award, Victoria College, Melbourne

2003/04                 RMIT Summer Printmakers Residency, VIC

 

 

BIBLIOGRAPHY

Catalogues

Middlemost, T; MONO uno: Australian Monotypes in the Charles Sturt University Art Collection, 2009. Pg 63 & 64

Cininas, Jazmina; Pelt, 2004

Gellatly, Kelly; The City of Whitehorse Art Collection, 2003, p 27 & 29

Tsara, Olga; “The Post Modern Advertising Message: Take It or Leave It”, All the Rage, August 2001, p 34 & 36

Periodicals

“Arse Feature”, Inpress, Issue 592, 12 January 2000, p 43

Bolch, Ursula; “Deborah Williams: Perfect”, Imprint, Vol. 34 No. 3, Spring 1999, pp 16-18

Bouda, Jenny; “Exclusively dog”, bark!, November/December 2006, p. 80

Crawford, Ashley; “Deborah Williams; Etchings & Linocuts”, The Age, Agenda, 29 February 2004, p 19

Hanson, David; “Dog has its day”, The Age, Sightlines Critical Guide, Friday November 10 2006, 
p. 17

Hill, Peter; “Art Now: Deborah Williams”, State of the Arts, April-June 2005, p 79

Hill, Peter; “Sticks and Bones”, The Sydney Morning Herald, Spectrum, 11/12 December 2004, p 20

Low, Lenny Ann; “Open Gallery”, The Sydney Morning Herald, Spectrum, 4/5 December 2004, p 20

Morrow, Christine; “Pelt”, ACCA Mag (ACCA Online Magazine) issue 8, www.accaonline.org.au

“No room for a dog with a message”, The Age, Today Section, 22 September 1999, p 10

“Preview Exhibition: Australian Galleries Sydney”, Imprint, Vol. 39, No. 4, Summer 2004, p 25

“Signs of the times”, The Age, Today Section, 27 September 1999, p 1

St Leger, Deborah; “Review: 5th Hutchins Art Prize”, Imprint, Vol. 36, No. 4, Summer 2001, pp 16-17

Webb, Penny; Review, The Age, Preview Section, November 5 2006, p. 45

The Weekend Australian, Listing in Review Section, 18-19 November 2006, p. 17

Williams, Linda; “The Owl of Minerva and Recent Art”, Eyeline, No. 56 Summer 2004/05, p 30

TV/Radio interviews

Mason,Maggie, 2 RRR Sydney, Arts and Tarts, 10 November, 2009

Kernebone, Fenella ABC TV Sunday Arts
 Artist Books 28 June 2009

Clarke, Peter and Haultain, Lynne; 774 ABC Melbourne, 18 February 2004 
Taylor,

Roger; “High & Low”, 3RRR, 22 September 1999

“Art Rave Today”, 3PBS, 20 January 2000

McAuliffe, Chris; Exhibition review Sunday Arts 3LO , July 4, 1999

“Melbourne Fringe, A Dog’s Breakfast”, Oz Culture, Radio National, October 1998

 

COMMITTEES

1997 – 2000            Print Council of Australia Committee Member & Treasurer

 

COLLECTIONS

Art Gallery of New South Wales

Australian Print Workshop, Victoria

Belfast Print Workshop, Ireland

Burnie Regional Gallery, Tasmania

Canson Australia Pty Ltd

Charles Sturt University, New South Wales

Chiangmai Contemporary Art Museum, Thailand

City of Banyule, Victoria

City of Whitehorse, Victoria

Edinburgh Print Workshop, Scotland

Fremantle Arts Centre, Western Australia

Glasgow Print Workshop, Scotland

Gold Coast City Art Gallery, Queensland

Latrobe Picture Collection

State Library of Victoria

Latrobe Regional Gallery, VIC

Little Collection, Little Creatures Brewery, Fremantle, WA

London Print Workshop, UK

Mornington Peninsula Regional Gallery, Victoria

National Gallery of Australia, Canberra

Portland Art Museum, Oregon, USA

Print Council of Australia, Victoria

Queen Victoria Museum and Art Gallery, Tasmania

Silk Cut Collection, Australia

Tasmanian Museum Art Gallery

The Chicago Print Collective Workshop, USA

Toowoomba Regional Gallery, Queensland

Tweed River Art Gallery, NSW

University of Papua New Guinea

University of Southern Queensland

University of Melbourne, Baillieu Library Special Collections, Melbourne

Warrnambool Art Gallery, VIC

Yayasan Yudisthira Collection, Bali, Indonesia

Swan Hill Regional Gallery, VIC

Artspace Mackay, QLD.